Artist Roster

Billy Blaze
Al Caldwell
Travis Carlton
Edo Castro
Joe Clark
Matt Costa
Laura Cupit
Jimmy De Martini
Jeremy Dehek
Matt Deis
Rick and Mark del Castillo
Tom Dumont
Dominque Favez & Tony Castell
Ross Feratu
Gerry Fisher
Comron Fouladi
Chuck Goff
Doug "Dirt" Greenfield
Trey Henry
John Hiatt
Bones Hillman
Tyler Jackson
Josh Jaiman
Doug Johns
Ben Jordan
Tony King
Mark Kroos
Justin Kudding
Kai Kurosawa
Michael “Kim” Lesaca
Aaron Lewis
Steuart Liebig
Randy Lopez
Leo Lyons
Matt McKenzie
Stew McKinsey
Dennis Michaels
Maurilio Mina
Monte Montgomery
Rich Moore
Dante "D-Man" Nolen
Brian Patterson
Rory Pearse
Joe Pettengill
David Piggott
Kirk Powers
Chuck Rainey
Matt Roberts
Mark Robertson
Steve Rodby
Mike Scott
Chris Serafini
Alenjandro Serravalle
Kennan Shaw
Sam Sims
Kevin Smith
Robert "JJ" Smith
Michael Spriggs
Jon Squires
Daryl Stuermer
Donny Tesso
Dywane "MonoNeon" Thomas Jr.
Hank Van Sickle

Bones Hillman
Bones Hillman   
In 1987, I was sharing a house in Melbourne with Neil and Sharon Finn. We had been friends for years through the New Zealand music scene. I was in a band called the Swingers, and we’d had a number 1 hit in Australia and New Zealand, but at this stage I was playing in a local Melbourne band and doubling as a house painter during the day.

One night when I got home from work, Neil told me that Rob Hirst from Midnight Oil had called, and that they were looking for a new bass player. Of course I thought he was pulling my leg. Luckily for me, a few nights later Rob rang back again wondering why I hadn’t returned his call. He was actually quite serious. He offered to send me the Oils new album 'Diesel and Dust', and asked if I could learn a few tracks and come up to Sydney for a bit of a play.

I met with the guys in their damp cell-like rehearsal room. Rob, Jim and Martin (no sign of Pete) and I ran through some Oils tracks, and played a couple of covers for fun. Eventually after 3 trips to Sydney, always to this same rehearsal room, Pete showed up. We played through a few tracks with him singing, and then they asked me to wait outside. Decision time. I shook hands and said thanks. I knew then that I had the gig – it was just one of those moments.

The next day, I was taken to the band’s headquarters, known as “The Office”, in reality a rambling old terrace house on Glebe Point Road, to meet the band's 6th member-in-charge-of-business, manager Gary Morris. He made it quite clear that he was the pit bull of the yard. His assistant “Knackers” looked like she had balls as well. “You’re onboard for Australia and Canada only,” Gary informed me brusquely. That initial tour of Australia and Canada turned into 15 years of my life, 5 studio albums, a couple of live albums and who knows how many gigs around the planet. More.....

Quote from Artist:
I was on a quest to find the perfect amp to use with my upright bass in a live situation.
The Genz Benz Shuttle provided me with a natural sound straight away, and the flexibility to expand the rig when needed by adding additional cabinets.
So whether I play in a trio or a full band setting I know the Genz has the head room to deliver the goods.


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